Grammy Winners

[Elwood]

Here's the winners in all 104 categories.

Norah Jones cleaned house.

 

 

THE NATIONAL ACADEMY OF

RECORDING ARTS & SCIENCES, INC.

 

Winners List

45th Annual GRAMMY® Awards

 

For recordings released during the

Eligibility Year October 1, 2001 through September 30, 2002

 

General Field

 

Category 1

 

Record Of The Year

(Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s), if other than the artist.)

 

Don't Know Why

Norah Jones

Norah Jones, Arif Mardin & Jay Newland, producers; Jay Newland, engineer/mixer

Track from: Come Away With Me

[blue Note Records]

 

 

 

Category 2

 

Album Of The Year

(Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist.)

 

Come Away With Me

Norah Jones

Norah Jones, Arif Mardin, Jay Newland & Craig Street, producers; S. Husky Höskulds & Jay Newland, engineers/mixers; Ted Jensen, mastering engineer

[blue Note Records]

 

 

 

Category 3

 

Song Of The Year

(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

Don't Know Why

Jesse Harris, songwriter (Norah Jones)

Track from: Come Away With Me

[blue Note Records; Publishers: Beanly Songs, Sony/ATV Music Pub.]

 

 

 

Category 4

 

Best New Artist

(For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist.)

 

Norah Jones

 

 

 

Field 1 — Pop

 

Category 5

 

Best Female Pop Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

Don't Know Why

Norah Jones

Track from: Come Away With Me

[blue Note Records]

 

 

Category 6

 

Best Male Pop Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

Your Body Is A Wonderland

John Mayer

Track from: Room For Squares

[Aware Records/Columbia Records]

 

 

 

Category 7

 

Best Pop Performance By A Duo Or Group With Vocal

(For established duos or groups, with vocals. Singles or Tracks only.)

 

Hey Baby

No Doubt

Track from: Rock Steady

[interscope Records]

 

 

 

Category 8

 

Best Pop Collaboration With Vocals

(For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

 

The Game Of Love

Santana & Michelle Branch

[Arista Records]

 

 

 

Category 9

 

Best Pop Instrumental Performance

(For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

 

Auld Lang Syne

B.B. King

Track from: A Christmas Celebration Of Hope

[MCA Records]

 

 

 

Category 10

 

Best Pop Instrumental Album

(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

 

Just Chillin'

Norman Brown

[Warner Brothers Records]

 

 

 

Category 11

 

Best Pop Vocal Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Come Away With Me

Norah Jones

[blue Note Records]

 

 

 

Field 2 — Dance

 

Category 12

 

Best Dance Recording

(For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.)

 

Days Go By

Dirty Vegas

Ben Harris, Paul Harris & Steve Smith, producers

Track from: Dirty Vegas

[Capitol Records]

 

 

Field 3 — Traditional Pop

 

Category 13

 

Best Traditional Pop Vocal Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Playin' With My Friends: Bennett Sings The Blues

Tony Bennett

[Columbia/RPM Records]

 

 

 

Field 4 — Rock

 

Category 14

 

Best Female Rock Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

Steve McQueen

Sheryl Crow

Track from: C'mon, C'mon

[A&M Records]

 

 

 

Category 15

 

Best Male Rock Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

The Rising

Bruce Springsteen

Track from: The Rising

[Columbia Records]

 

 

 

Category 16

 

Best Rock Performance By A Duo Or Group With Vocal

(For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

In My Place

Coldplay

Track from: A Rush Of Blood To The Head

[Capitol Records]

 

 

 

Category 17

 

Best Hard Rock Performance

(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

All My Life

Foo Fighters

[RCA/Roswell Records]

 

 

 

Category 18

 

Best Metal Performance

(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

Here To Stay

Korn

Track from: Untouchables

[Epic/Immortal Records]

 

 

 

Category 19

 

Best Rock Instrumental Performance

(For solo, duo, group or collaborative performances, without vocals. Includes Rock, Hard Rock and Metal. Singles or Tracks only.)

 

Approaching Pavonis Mons By Balloon (Utopia Planitia)

The Flaming Lips

Track from: Yoshimi Battles The Pink Robots

[Warner Bros. Records]

 

 

 

Category 20

 

Best Rock Song

(A Songwriter(s) Award. Includes Rock, Hard Rock & Metal songs. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

The Rising

Bruce Springsteen, songwriter (Bruce Springsteen)

Track from: The Rising

[Columbia Records; Publisher: Bruce Springsteen]

 

 

 

Category 21

 

Best Rock Album

(Vocal or Instrumental. Includes Hard Rock and Metal.)

 

The Rising

Bruce Springsteen

[Columbia Records]

 

 

 

Field 5 — Alternative

 

Category 22

 

Best Alternative Music Album

(Vocal or Instrumental.)

 

A Rush Of Blood To The Head

Coldplay

[Capitol Records]

 

 

 

Field 6 — R&B

 

Category 23

 

Best Female R&B Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

He Think I Don't Know

Mary J. Blige

Track from: No More Drama

[MCA Records]

 

 

 

Category 24

 

Best Male R&B Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

U Don't Have To Call

Usher

[Arista Records]

 

 

 

Category 25

 

Best R&B Performance By A Duo Or Group With Vocal

(For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

Love's In Need Of Love Today

Stevie Wonder & Take 6

Track from: America - A Tribute To Heroes (Various Artists)

[universal/Sony/BMG/EMI/Warner Bros. Records]

 

 

 

Category 26

 

Best Traditional R&B Vocal Performance

(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

What's Going On

Chaka Khan & The Funk Brothers

Track from: Standing In The Shadows Of Motown (Various Artists)

[Hip-O Records]

 

 

 

Category 27

 

Best Urban/Alternative Performance

(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

 

Little Things

India.Arie

Track from: Voyage To India

[Motown Records]

 

 

 

Category 28

 

Best R&B Song

(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

Love Of My Life (An Ode To Hip Hop)

Erykah Badu, Madukwu Chinwah, Rashid Lonnie Lynn, Robert Ozuna, James Poyser, Raphael Saadiq & Glen Standridge, songwriters (Erykah Badu Featuring Common)

Track from: Brown Sugar – Soundtrack (Various Artists)

[MCA Records/Magic Johnson Music/UMG Soundtracks/Fox Music]

 

 

 

Category 29

 

Best R&B Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Voyage To India

India.Arie

[Motown Records]

 

 

 

Category 30

 

Best Contemporary R&B Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Ashanti

Ashanti

[Murder, Inc.]

 

 

 

Field 7 — Rap

 

Category 31

 

Best Female Rap Solo Performance

(For a solo Rap performance. Singles or Tracks only.)

 

Scream a.k.a. Itchin'

Missy Elliott

Track from: Miss E...So Addictive

[Goldmind Inc./Elektra]

 

 

 

Category 32

 

Best Male Rap Solo Performance

(For a solo Rap performance. Singles or Tracks only.)

 

Hot In Herre

Nelly

Track from: Nellyville

[universal Records]

 

 

 

Category 33

 

Best Rap Performance By A Duo Or Group

(For duo, group or collaborative performances of Rap only. Singles or Tracks only.)

 

The Whole World

OutKast Featuring Killer Mike

Track from: Big Boi & Dre Present...OutKast

[Arista Records]

 

 

 

Category 34

 

Best Rap/Sung Collaboration

(For a Rap/Sung collaborative performance by artists who do not normally perform together. Singles or Tracks only.)

 

Dilemma

Nelly Featuring Kelly Rowland

[universal Records]

 

 

 

Category 35

 

Best Rap Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

The Eminem Show

Eminem

 

 

Field 8 — Country

 

Category 36

 

Best Female Country Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

Cry

Faith Hill

[Warner Brothers Records]

 

 

 

Category 37

 

Best Male Country Vocal Performance

(For a solo vocal performance. Singles or Tracks only.)

 

Give My Love To Rose

Johnny Cash

Track from: American IV: The Man Comes Around

[American Recordings/Lost Highway Records]

 

 

 

Category 38

 

Best Country Performance By A Duo Or Group With Vocal

(For established duos or groups with vocals. Singles or Tracks only.)

 

Long Time Gone

Dixie Chicks

Track from: Home

[Open Wide/Monument/Columbia Records]

 

 

 

Category 39

 

Best Country Collaboration With Vocals

(For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

 

Mendocino County Line

Willie Nelson With Lee Ann Womack

Track from: The Great Divide (Willie Nelson)

[Lost Highway Records]

 

 

 

Category 40

 

Best Country Instrumental Performance

(For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

 

Lil' Jack Slade

Dixie Chicks

Track from: Home

[Open Wide/Monument/Columbia Records]

 

 

 

Category 41

 

Best Country Song

(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

Where Were You (When The World Stopped Turning)

Alan Jackson, songwriter (Alan Jackson)

Track from: Drive

[Arista Nashville; Publishers: EMI April Music, Tri-Angels Music]

 

 

 

Category 42

 

Best Country Album

(Vocal or Instrumental.)

 

Home

Dixie Chicks

[Open Wide/Monument/Columbia Records]

 

 

 

Category 43

 

Best Bluegrass Album

(Vocal or Instrumental.)

 

Lost In The Lonesome Pines

Jim Lauderdale, Ralph Stanley & The Clinch Mountain Boys

[Dualtone]

 

 

 

Field 9 — New Age

 

Category 44

 

Best New Age Album

(Vocal or Instrumental.)

 

Acoustic Garden

Eric Tingstad & Nancy Rumbel

[Narada Productions Inc.]

 

 

 

Field 10 — Jazz

 

Category 45

 

Best Contemporary Jazz Album

(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

 

Speaking Of Now

Pat Metheny Group

[Warner Bros. Records]

 

 

 

Category 46

 

Best Jazz Vocal Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Live In Paris

Diana Krall

[Verve Records]

 

 

 

Category 47

 

Best Jazz Instrumental Solo

(For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.)

 

My Ship

Herbie Hancock, soloist

Track from: Directions In Music (Herbie Hancock, Michael Brecker & Roy Hargrove)

[Verve Music Group]

 

 

 

Category 48

 

Best Jazz Instrumental Album, Individual or Group

(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

 

Directions In Music

Herbie Hancock, Michael Brecker & Roy Hargrove

[Verve Music Group]

 

 

 

Category 49

 

Best Large Jazz Ensemble Album

(For large jazz ensembles, including big band sounds. Albums must contain 51% or more INSTRUMENTAL tracks.)

 

What Goes Around

Dave Holland Big Band

[ECM]

 

 

 

Category 50

 

Best Latin Jazz Album

(Vocal or Instrumental.)

 

The Gathering

Caribbean Jazz Project

[Concord Picante]

 

 

Field 11 — Gospel

 

Category 51

 

Best Rock Gospel Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Come Together

Third Day

[Essential Records]

 

 

 

Category 52

 

Best Pop/Contemporary Gospel Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

The Eleventh Hour

Jars Of Clay

[Essential Records]

 

 

 

Category 53

 

Best Southern, Country, or Bluegrass Gospel Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

We Called Him Mr. Gospel Music: The James Blackwood

 Tribute Album

The Jordanaires, Larry Ford And The Light Crust Doughboys

[Art Greenhaw Records]

 

 

 

Category 54

 

Best Traditional Soul Gospel Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Higher Ground

The Blind Boys Of Alabama

[Real World]

 

 

 

Category 55

 

Best Contemporary Soul Gospel Album

(For albums containing 51% or more playing time of VOCAL tracks.)

 

Sidebars

Eartha

[AFRT Music]

 

 

 

Category 56

 

Best Gospel Choir Or Chorus Album

(For choirs or choruses only, with or without lead vocalist(s).)

 

Be Glad

Carol Cymbala, choir director; The Brooklyn Tabernacle Choir

[M2.0 Communications]

 

 

 

Field 12 — Latin

 

Category 57

 

Best Latin Pop Album

(Vocal or Instrumental.)

 

Caraluna

Bacilos

[Warner Music]

 

 

 

Category 58

 

Best Latin Rock/Alternative Album

(Vocal or Instrumental.)

 

Revolución De Amor

Maná

[Warner Music]

 

 

 

Category 59

 

Best Traditional Tropical Latin Album

(Vocal or Instrumental.)

 

El Arte Del Sabor

Bebo Valdés Trio With Israel López "Cachao" & Carlos "Patato" Valdés

[blue Note Records]

 

 

 

Category 60

 

Best Salsa Album

(Vocal or Instrumental.)

 

La Negra Tiene Tumbao

Celia Cruz

[sony Discos]

 

 

 

Category 61

 

Best Merengue Album

(Vocal or Instrumental.)

 

Latino

Grupo Mania

[universal Music Latino]

 

 

 

Category 62

 

Best Mexican/Mexican-American Album

(Vocal or Instrumental.)

 

Lo Dijo El Corazón

Joan Sebastian

[balboa Records/Discos Musart]

 

 

 

Category 63

 

Best Tejano Album

(Vocal or Instrumental.)

 

Acuérdate

Emilio Navaira

[bMG U.S. Latin]

 

 

 

Field 13 — Blues

 

Category 64

 

Best Traditional Blues Album

(Vocal or Instrumental.)

 

A Christmas Celebration Of Hope

B.B. King

[MCA Records]

 

 

 

Category 65

 

Best Contemporary Blues Album

(Vocal or Instrumental.)

 

Don't Give Up On Me

Solomon Burke

[Fat Possum Records/Anti]

 

 

 

Field 14 — Folk

 

Category 66

 

Best Traditional Folk Album

(Vocal or Instrumental.)

 

Legacy

Doc Watson & David Holt

[High Windy Audio]

 

 

 

Category 67

 

Best Contemporary Folk Album

(Vocal or Instrumental.)

 

This Side

Nickel Creek

[sugar Hill Records, Inc.]

 

 

 

Category 68

 

Best Native American Music Album

(Vocal or Instrumental.)

 

Beneath The Raven Moon

Mary Youngblood

[silver Wave Records]

 

 

 

Field 15 — Reggae

 

Category 69

 

Best Reggae Album

(Vocal or Instrumental.)

 

Jamaican E.T.

Lee "Scratch" Perry

[sanctuary Records/Trojan Records]

 

 

 

Field 16 — World Music

 

Category 70

 

Best World Music Album

(Vocal or Instrumental.)

 

Mundo

Rubén Blades

[Columbia Records Group/Sony Discos]

 

 

 

Field 17 — Polka

 

Category 71

 

Best Polka Album

(Vocal or Instrumental.)

 

Top Of The World

Jimmy Sturr

[Rounder Select]

 

 

 

Field 18 — Children's

 

Category 72

 

Best Musical Album For Children

(For albums consisting of predominantly music or song vs. spoken word.)

 

Monsters, Inc. – Scream Factory Favorites

Riders In The Sky

[Walt Disney Records]

 

 

 

Category 73

 

Best Spoken Word Album For Children

(For albums consisting of predominantly spoken word vs. music or song.)

 

There Was An Old Lady Who Swallowed A Fly

Tom Chapin

[Live Oak Media]

 

 

 

Field 19 — Spoken Word

 

Category 74

 

Best Spoken Word Album

(Narrated/dramatized books include authors' names in parenthesis for identification.)

 

A Song Flung Up To Heaven (Maya Angelou)

Maya Angelou

[Random House Audio Publ. Grp.]

 

 

 

Category 75

 

Best Spoken Comedy Album

(For spoken word comedy recordings.)

 

Robin Williams – Live 2002

Robin Williams

[Columbia Records Group]

 

 

 

Field 20 — Musical Show

 

Category 76

 

Best Musical Show Album

(Award to the Album Producer(s), and to the Lyricist(s) & Composer(s) of 51% or more of a new score. (Artist, Lyricist & Composer names appear in parenthesis.))

 

Hairspray

Marc Shaiman, producer; Scott Wittman, lyricist; Marc Shaiman, composer & lyricist (Original Broadway Cast Including Marissa Jaret Winokur & Harvey Fierstein)

[sony Classical]

 

 

 

Field 21 — Film/TV/Visual Media

 

Category 77

 

Best Compilation Soundtrack Album For A Motion Picture, Television Or Other Visual Media

(Award to the Artist(s) and/or Producer(s) of a majority of the tracks on the album, or to the individual(s) actively responsible for the concept and musical direction and for the selection of artists, songs and producers, as applicable.)

 

Standing In The Shadows Of Motown

The Funk Brothers & Various Artists

Ted Greenberg, Allan ####sky & Harry Weinger, compilation producers

[Hip-O Records]

 

 

 

Category 78

 

Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media

(Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series or other visual media.)

 

The Lord Of The Rings – The Fellowship Of The Ring

Howard Shore, composer (Howard Shore)

[Reprise Records]

 

 

 

Category 79

 

Best Song Written For A Motion Picture, Television Or Other Visual Media

(A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

If I Didn't Have You

Randy Newman, songwriter (Randy Newman)

Track from: Monsters, Inc.

[Walt Disney Records; Publishers: Walt Disney Music Co., Pixar Animation Studios]

 

 

 

Field 22 — Composing/Arranging

 

Category 80

 

Best Instrumental Composition

(A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.)

 

Six Feet Under Title Theme

Thomas Newman, composer (Thomas Newman)

Track from: Six Feet Under – Music From The HBO Original Series (Various Artists)

[universal Records; Publisher: L-T Music Pub.]

 

 

 

Category 81

 

Best Instrumental Arrangement

(An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

Six Feet Under Title Theme

Thomas Newman, arranger (Thomas Newman)

Track from: Six Feet Under – Music From The HBO Original Series (Various Artists)

[universal Records]

 

 

 

Category 82

 

Best Instrumental Arrangement Accompanying Vocalist(s)

(An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

 

Mean Old Man

Dave Grusin, arranger (James Taylor)

Track from: October Road

[Columbia Records]

 

 

 

Field 23 — Package

 

Category 83

 

Best Recording Package

 

Home

Kevin Reagan, art director (Dixie Chicks)

[Open Wide/Monument/Columbia Records]

 

 

 

 

Category 84

 

Best Boxed Or Special Limited Edition Package

 

Screamin' And Hollerin' The Blues: The Worlds Of Charley Patton

Susan Archie, art director (Charley Patton)

[Revenant Records]

 

 

 

Field 24 — Album Notes

 

Category 85

 

Best Album Notes

 

Screamin' And Hollerin' The Blues: The Worlds Of Charley Patton

David Evans, album notes writer (Charley Patton)

[Revenant Records]

 

 

 

Field 25 — Historical

 

Category 86

 

Best Historical Album

 

Screamin' And Hollerin' The Blues: The Worlds Of Charley Patton

Dean Blackwood, compilation producer; David Glasser, Christopher King & Matt Sandoski, mastering engineers (Charley Patton)

[Revenant Records]

 

 

Field 26 — Production

 

Category 87

 

Best Engineered Album, Non-Classical

(An Engineer's Award. (Artists names appear in parenthesis.))

 

Come Away With Me

S. Husky Höskulds & Jay Newland, engineers (Norah Jones)

[blue Note Records]

 

 

 

Category 88

 

Producer Of The Year, Non-Classical

(A Producer's Award. (Artists names appear in parenthesis.))

 

Arif Mardin

 

Come Away With Me (Norah Jones) (A)

 

 

 

 

Category 89

 

Best Remixed Recording, Non-Classical

(A Remixer's Award. (Artists names appear in parenthesis for identification.) Singles or Tracks only.)

 

Hella Good (Roger Sanchez Remix Main)

Roger Sanchez, remixer (No Doubt)

Track from: Rock Steady

[interscope Records]

 

 

 

Category 90

 

Best Engineered Album, Classical

(An Engineer's Award. (Artist names appear in parenthesis.))

 

Vaughan Williams: A Sea Symphony (Sym. No. 1)

Michael Bishop, engineer (Robert Spano & Norman Mackenzie)

[Telarc Digital]

 

 

 

Category 91

 

Producer Of The Year, Classical

(A Producer's Award. (Artist names appear in parenthesis.))

 

Robert Woods

 

A Celtic Spectacular (Celtic Dream; Cry Of The Celts, Etc.) (Erich Kunzel, The Chieftains, Sir J. Galway & J. McDermott)

LAGQ Latin (Fragile; Hasta Alicia Baila; La Trampa, Etc.) (Los Angeles Guitar Qt.)

Scary Music (Ghostbusters; Monster Mash; Thriller, Etc.) (Erich Kunzel)

Sibelius: Sym. No. 2/Tubin: Sym. No. 5 (Paavo Järvi)

 

The Sound Of Glory – Great Hymns Of Faith And Inspiration (Craig Jessop)

 

 

 

Field 27 — Classical

 

Category 92

 

Best Classical Album

(Award to the Artist(s) and to the Album Producer(s) if other than the Artist.)

 

Vaughan Williams: A Sea Symphony (Sym. No. 1)

Robert Spano, conductor; Norman Mackenzie, chorus director; Thomas C. Moore, producer (Christine Goerke, soprano & Brett Polegato, baritone; Atlanta Sym. Orch. Cho.; Atlanta Sym. Orch.)

[Telarc Digital]

 

Category 93

 

Best Orchestral Performance

(Award to the Conductor and to the Orchestra.)

 

Mahler: Symphony No. 6

Michael Tilson Thomas, conductor (San Francisco Sym.)

[sFS Media]

 

 

 

Category 94

 

Best Opera Recording

(Award to the Conductor, Album Producer(s) and Principal Soloists.)

 

Wagner: Tannhäuser

Daniel Barenboim, conductor; Jane Eaglen, Thomas Hampson, Waltraud Meier, René Pape & Peter Seiffert; Christoph Classen, producer (Chor der Deutschen Staatsoper Berlin; Staatskapelle Berlin)

[Teldec Classics International]

 

 

 

Category 95

 

Best Choral Performance

(Award to the Choral Conductor, and to the Orchestra Conductor if an Orchestra is on the recording, and to the Choral Director or Chorus Master if applicable.)

 

Vaughan Williams: A Sea Symphony (Sym. No. 1)

Robert Spano, conductor; Norman Mackenzie, chorus director (Christine Goerke, soprano; Brett Polegato, baritone; Atlanta Sym. Orch. Cho.; Atlanta Sym. Orch.)

[Telarc Digital]

 

 

 

Category 96

 

Best Instrumental Soloist(s) Performance (with Orchestra)

(Award to the Instrumental Soloist(s) and to the Conductor.)

 

Brahms/Stravinsky: Violin Concertos

Sir Neville Marriner, conductor; Hilary Hahn, violin (Academy of St. Martin in the Fields)

[sony Classical]

 

 

 

Category 97

 

Best Instrumental Soloist Performance (without Orchestra)

(Award to the Instrumental Soloist.)

 

Chopin: Études, Op. 10 & Op. 25

Murray Perahia, piano

[sony Classical]

 

 

 

Category 98

 

Best Chamber Music Performance

(Award to the Artists.)

 

Beethoven: String Quartets ("Razumovsky" Op. 59, 1-3;

 "Harp" Op. 74)

Takács Quartet

[Decca Records]

 

 

 

Category 99

 

Best Small Ensemble Performance (with or without Conductor)

(Award to the Ensemble (and to the Conductor.))

 

Tavener: Lamentations And Praises

Joseph Jennings, conductor; Chanticleer (Handel & Haydn Society of Boston)

[Teldec Classics International]

 

 

 

Category 100

 

Best Classical Vocal Performance

(Award to the Vocal Soloist(s).)

 

Bel Canto (Bellini, Donizetti, Rossini, Etc.)

Renée Fleming, soprano (Patrick Summers; Coro del Maggio Musicale Fiorentino; Orch. of St. Luke's)

[Decca Records]

 

 

 

Category 101

 

Best Classical Contemporary Composition

(A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.))

 

Tavener: Lamentations And Praises

Sir John Tavener (Chanticleer; Joseph Jennings; Handel & Haydn Society of Boston)

[Teldec Classics International]

 

 

 

Category 102

 

Best Classical Crossover Album

(Award to the Artist(s) and/or to the Conductor.)

 

Previn Conducts Korngold (Sea Hawk; Captain Blood, Etc.)

André Previn, conductor (London Sym. Orch.)

[Deutsche Grammophon]

 

 

Field 28 — Music Video

 

Category 103

 

Best Short Form Music Video

(For an individual track or single promotional clip. Award to the Artist and to the Video Director/Producer.)

 

Without Me

Eminem

Joseph Kahn, video director; Greg Tharp, video producer

[Aftermath/Interscope Records]

 

 

 

Category 104

 

Best Long Form Music Video

(For video album packages consisting of more than one song or track. Award to the Artist and to the Video Director/Producer of at least 51% of the total playing time.)

 

Westway To The World

The Clash

Don Letts, video director

[Epic Records]

[Batgirl]

Elwood...I don't know if the Grammys were on delay, because here on the west coast...I am still watching it and you have posted all the wimmers!!!

You could have waited till tomorrow!!

Thank you...thank you very much.

 

[Elwood]

Sorry.  Geez.

 

I just posted them as soon as they went off here.  You didn't have to look at it tonight.  The topic of the thread made it painfully obvious what it was.

[LarryE]

 

The Boss got robbed,   Norah Jones didn't deserve to win anything but new artist, and she still wasn't my pick for it..

 

She only have one single out off that dayum album, when every other artist nominated has 10's of songs released.

 

 

The clash tribute was killer  even though I never really liked their music.

 

Gwen sounded alot better last night,  that's how I like to here her sing, and faith hill was good but had on way to much makeup for the light they were using...  the chicks sounds good to.

 

 

Never really watch the show for the awards anyways  their rigged  no doubt about it...   the performances and the women are the only reason to keep me watching.

[99silveradoz71]

Yes, though I missed the show, the results are a bit of bs to put it mildly.  She comes out with 1 darn song and "rapes" the show if you will.  It seems to go that way sometimes though, lately they find a group/artist with 1 hit new song and run it into the ground.

[Elwood]

Have you heard her album?  I'm not a big fan of the one song, but her other stuff is alot better IMO.  That would be why she got record and album of the year.  As for Song of the year and new artist of the year, I like her better than Michelle Branch, the only other one I did like in new artist was John Mayer.

 

But I watch for the performances too.  My favorite groups never even get nominated, except of course this year, and they didn't win.  Gov't Mule was nominated for best instrumental and lost to the Flaming Lips.  Oh well.  At least I got to see the Clash Tribute, it was awesome.

[BlueRado]

 

The Boss got robbed,   Norah Jones didn't deserve to win anything but new artist, and she still wasn't my pick for it..

 

She only have one single out off that dayum album, when every other artist nominated has 10's of songs released.

 

 

The clash tribute was killer  even though I never really liked their music.

 

Gwen sounded alot better last night,  that's how I like to here her sing, and faith hill was good but had on way to much makeup for the light they were using...  the chicks sounds good to.

 

 

Never really watch the show for the awards anyways  their rigged  no doubt about it...   the performances and the women are the only reason to keep me watching.

Larry, I couldn't agree with you more - Bruce got the shaft - and then Hoffman couldn't even say his name right on national TV!!

 

I think Norah Jones is good and I like her stuff, but there were other more deserving nominees in some cases.

 

But if you look historically, the Grammies have always been a bit of the flash-in-the-pan winners in a popularity contest anyway.

[Elwood]

I was glad to see a female with actual talent win.  Man, like I said I'm not a huge fan of the song on the radio that is a hit, but the rest of Norah Jones' stuff is great.  She has that great JAZZ/BLUES voice.  Not very often do you see a female get much credit in the music industry anymore that is not like Briney or Christina.  And you RARELY see a bluesy sounding artist get anything either.  She's both, and I was glad to see her get the awards.  I usually hate the grammys for the same reason

But if you look historically, the Grammies have always been a bit of the flash-in-the-pan winners in a popularity contest anyway.

 

But she has REAL TALENT which isn't nearly as common as it used to be in the popularity side of music industry.  The only person I could see beating her out for something would've been when she was up against Michele Branch and I'm not a big fan of her stuff so I was gald Norah won.  I do however, (like I've said in the past) think Michele Branch is very very talented.  I'm just not too into that style.